Box 32

Scope and Contents This sound recording is an educational program for children, introducing NCAR/UCAR's research areas. It seems to be the soundtrack to a film. Topics covered include: atmospheric research, research aircraft, weather balloons and the Tiny Tim launch vehicle, field research, the CRAY computer, volcanic eruptions and forest fires, carbon dioxide and climate change, acid rain, the ozone layer, fluorocarbons, and sunspots. Note: Sound recording was labeled "NCAR Children‚ Show On Air." A digitized...

Scope and Contents

This reel-to-reel tape contains two sound recordings: 1) Hollow Square talk: A Brief History of NCAR’s CDC 6600 Computer, Paul Rotar, 1968; 2) Hollow Square talk: Estimation of Atmospheric Ozone from a Satellite, Carl Mateer, July 26, 1968. Digitized versions of the recordings are available in the OpenSky digital repository.

Scope and Contents

This reel-to-reel tape contains two audio recordings: 1) Hollow Square talk: Sunshine Chemistry: The Earth's Atmosphere, Richard D. Cadle, November 10, 1967; 2) Hollow Square talk: Composition of Air Near the Stratopause, Edward A. Martell, March 14, 1969. Digitized versions of the recordings are available in the OpenSky digital repository.

Scope and Contents

This reel-to-reel tape contains two audio recordings: 1) NCAR Prize Lecture: The Role of Downdrafts and Squall Lines in Tropical Weather Systems, Edward J. Zipser, February 6, 1970; 2) Hollow Square talk: Recent Theories on the Growth of Hailstones, Guy C. Goyer, June 19, 1970. Digitized versions of the recordings are available in the OpenSky digital repository.

Scope and Contents

This is a hard-bound book that catalogs some of the audio tapes, including annotations.

Scope and Contents From the Series: This series consists of audio tape and motion picture film from the Outreach Office, under the NCAR Director. Approximately 80% of these materials are motion picture films, and are in many different formats. There is an assortment of color and black and white, sound and silent. Some films have many duplicates and versions, while others have little to no inscriptions to identify their content. The remaining 20% of the collection are audio tapes and microfilm, and are also in various different...